Tickets HERE

With support from Lines of Flight.

Futuresound Events Presents

Annie-Claude Deschênes embraces multidisciplinarity in her quest to merge music and performance art, challenging stage conventions. A prominent figure in Montreal's independent music scene for over twenty years, she gained recognition as the frontwoman of the cult bands Duchess Says and PyPy. Annie's solo project marks a shift from sheer aggression to dystopian disco vibes. Inspired by minimal pop and electronic pioneers, her debut album, LES MANIÈRES DE TABLE, is both danceable and disquieting, reexamining social codes of politeness.

Tickets HERE

With support from Wax Head.

Brudenell Presents…

With Iguana Death Cult’s latest iteration, the band laments on personal stories of hardship and doubt whilst fixing their gaze on the burning world around them. Guitars, percussion, synths and a whole lot of soul-searching is all that Iguana Death Cult needed for their recent resurrection. As part of a personnel change the band gained a strong new line-up, including the dazzlingly virtuous drummer Uri Rennert (previously in Häxxan and Brian Jonestown Massacre). This new era of Iguana Death Cult’s existence is channeling their earlier punk and garage style while simutanously feeling unmistakeably like a product of today. It is characterised by razorsharp and highly rythmic riffing by Tobias Opschoor and the relentless drumming by Uri Rennert. By the ever-groovy and effortlessly cool percussion and synths by Jimmy de Kok and by the hefty yet heartfelt voice of frontman Jeroen Reek, guiding the listener through feelings of despair, anger and solace, in that very order. Iguana Death Cult is a band who have made quite the miles in the last decade. Started as a group of young friends in 2014 wanting to make rock ‘n roll, the band has risen to great heights including touring with Osees, Frankie and the Witchfingers, supporting Jack White, playing SXSW, Levitation Festival and Desert Daze and doing multiple successful US tours. On their new record Guns Out, released via Greenway Records, Iguana Death Cult is excersing self-reflection on multiple levels: by breaking with the more indie-like, art-punk-funk sound of their previous album (Echo Palace, released through Innovative Leisure in 2023), returning to a more ‘in your face’ punchy garage rock style. Secondly, by confronting a behaviour of escapism, and the toll that way of living takes on the self. And finally by ways of questioning their ways of writing music, returning to a faster, more spontaneous process. Guns Out is an album that’s tough and rigid on the outside but soft and contemplative on the inside. Moreover, it is the story of a band coming to terms with their own existence in the world they live in.

Tickets HERE

Paul Marshall returns to the stage for a rare live performance-his first in over a decade-celebrating 20 years since the release of his debut album Vultures. Performing under his own name rather than the Lone Wolf moniker he retired in 2016, this special show will span songs from across his career, including material written as Lone Wolf.

A former Bella Union artist, Marshall earned a reputation for his atmospheric songwriting and distinctive voice, becoming a quietly influential presence in the UK's alternative scene. Over the years, he has shared stages with artists such as José González, Graham Coxon, Philip Selway, St. Vincent, Wild Beasts, and Bat for Lashes, and collaborated with the likes of Alan Wilder (Depeche Mode) and Linton Kwesi Johnson.

Support comes from fellow Leeds musician Fran Rodgers.
Blending delicate melodies with lyrical depth and an incredible voice, she brings a compelling presence that makes her a fitting addition to the evening.

A rare chance to see Paul Marshall back on stage, revisiting and reinterpreting songs that have resonated over the past two decades.

Tickets HERE

Oxford Comma are celebrating their fantastic EP 'Tether' with their debut UK tour!

previous shows have sold out instantly as they prove time and time again to be one of the UK's most promising upcoming bands in the alternative scene!

grab a ticket and we'll see you front row!

Tickets HERE

Performance poet Bassie Gracie and folk musician Memphis Gerald team up for a night of folk music, stories and poetry.

FREE JUST TURN UP

I am Emma Jane, I am a female singer songwriter and I record and release my own music. I decided to set up this gig that includes three 4 artists performing including myself. The other artists are called, Daisy Summers, Madeleine May and Rihanna Grace.
Mark Farrar is an interviewer I have worked with before and he will be at the gig doing short interviews with the artists. This is so that the girls can post them on their socials and their audience can get to know a little bit more about them.
The whole point of this gig is to bring attention to up and coming young female singer songwriters and help them get more of an audience and more listeners who are from their demographic!

Tickets HERE

The Rock and Jazz Night is a non-profit, locally led event which performs original numbers, classics, and everything in between. Our House Band headlines the show, and we invite local bands to open the event. We want our show to give people the great night of live music that they've been missing, whilst supporting a good cause in the process.

Tickets HERE

Brudenell Presents…

Modern Woman, the London art-rock outfit fronted by primary songwriter Sophie Harris, are set to release their anticipated debut album ‘Johnny’s Dreamworld’ on May 1st 2026 via their new label One Little Independent Records. ‘Johnny’s Dreamworld’ represents the culmination of Modern Woman’s journey from Harris’s early, intimate songwriting project into a full-bodied band capable of folding post-punk, avant-garde, and folk traditions into a live force of dynamic originality. At its heart, the record explores the strange poetry buried within the ordinary. Harris’s lyrics, steeped in literary detail and filmic atmosphere, draw from a fascination with the dark underbelly of the everyday and the contradictions of womanhood.

Harris explains, “A vital theme I’ve always wanted in Modern Woman is the idea of conflicting things, of the tender/harsh, loud/quiet and scrappy/polished. The style of everybody’s playing, drawing from a melting pot of influences, coming together to form something new.”

Modern Woman’s sound emerged from years of creative refinement. The band coalesced when Harris met violinist and composer David Denyer, who brought a background in experimental composition and textural sound work. Joined by Juan Brint-Gutiérrez on bass and saxophone and Adam Blackhurst on drums, the group forged a style that values the contrasting harsh edges of folk lyricism and noise that collides with melody. Working with producer Joel Burton (Naima Bock, Katy J Pearson, Vanishing Twin), they found a live immediacy that channels the raw intensity of their performances into a sound that is both rich and unpredictable.

Tickets HERE

New jazz, improvisation and adventurous sounds: Sarah Heneghan Trio and Timothy Knowles et al. share an intimate Leeds double bill.

Come and discover two exciting new voices in contemporary jazz at Hyde Park Book Club, Leeds.

Sarah Heneghan brings her trio to Leeds following the release of her new album Tiny Sacred Gaps. A meeting point between contemporary jazz, Nordic jazz, folk, minimalism, post-rock and ambient electronics, the music is built around lyrical flugelhorn melodies (Charlotte Keeffe), gently patterned piano (Ben Gaunt) and highly textural drumming (Sarah Heneghan). Expect atmospheric soundscapes, rhythmic interplay and music that evokes landscapes, long train journeys and changing coast and countryside.

Timothy Knowles cut his teeth with nu-jazz upstarts Beyond Albedo and minimalist sensation Emergence Collective, cultivating “a voice all his own” (Whitman Review) as a guitarist and composer. Tim is joined by dynamic baritone saxophonist Martín Berger (Pitanga), incisive drummer Maeve Thorpe (Maeve Thorpe Quartet), and brilliant pianist/vocalist Antigoni Anastasiadou, performing original material inspired by Wayne Shorter, Radiohead and Scottish traditional music. Debut album, Kissa, will be released in spring 2027.

Two distinctive approaches to new jazz, brought together for one intimate evening.

Tickets HERE

Grifton Forbes-Amos is a trumpet player from the UK. Hid project merge the differing aspects of Jazz whilst including the soulful playing within other genres like Gospel and Soul Jazz. Additionally, he pays homage to the styles of his Latin influences which culminates in a fusion that creates a form of Jazz that's like candy to your ears. 

Tickets HERE

Brudenell Presents...

With support from Attic O Matic.

Hailing from the Isle of Man via the uncomfortable shingles of Brighton beach, Penelope Isles resurface-shimming in sunlight and shadow.

Three years since their last show, life has quietly reshaped everything. Two solo records released into the world, new bands formed, old rhythms broken, and a magnetic pull back toward each other that couldn't be ignored - Penny Isles' sound remains unmistakable-fuzz-drenched, melody-rich, and charged with feeling. Now expanded into a true three-piece with drummer Joe Taylor, Penelope Isles sound bigger, looser, and more alive than ever. Guitars shimmer and collide, harmonies ache and lift, drums crash like eerie weather rolling in fast off the coast. The Wolter siblings write songs like postcards from somewhere just out of reach-Brighton seafront flats, off-kilter restaurants, memories half-burned in the sun. Beautiful, fragile, and always on the edge of slipping away. 

Still obsessed with love, heartbreak, and what lingers after, Penelope Isles are at their most open, luminous, and unsteady. And everything feels like it's moving again.

Tickets HERE

With support from, Frankie Freeman.

Norwegian singer songwriter Maren Davidsen returns to the UK this autumn with her debut album This Is Where I Leave You. Originally from Norway, Maren moved to London to pursue her music career, and now returns with a deeply personal record that has already begun attracting international attention.

"A beautiful piece of Nordic Americana that hits you right in the heart," writes Canadian music journalist Eric Alper.

This Is Where I Leave You is a vulnerable and intimate album about losing yourself in a relationship, and finding your way back. The songs explore love, heartbreak, self-worth and the difficult process of leaving behind not only another person, but also old patterns and a version of yourself you have outgrown.

After spending years 9 living and making music in London, Maren now brings the album back to the UK for a series of intimate shows this autumn.

Tickets HERE

Brudenell Presents...

With support from Sam King & The Herons and Lucas Assagba

Tickets HERE

Futuresound Events Presents…

Tickets HERE

Form Presents…

Just when Sean Solomon thought he was out, they pulled him back in. The songwriter had stepped away from the mic, making the difficult decision with his bandmates to put his Sub Pop-signed band Moaning on indefinite hiatus and recalibrate. He poured himself into animation — an obsession and dream job that quickly became a reality. He made music videos for Run The Jewels and Unknown Mortal Orchestra and CHAI and Odd Future. He was living a dream, but it was only part of the dream. He still heard chords when he went to bed, ached for the feeling that artists like Elliott Smith, The Microphones, and Neutral Milk Hotel gave him.

The itch returned, so he started writing again during the pandemic. He couldn’t imagine a life without songwriting, but he pursued it free from the expectations that come alongside a career in the industry. It allowed him to make music that felt closer to his ideal self than ever before. “That's when it clicked and I started making this kind of music where I didn’t give a shit what anyone thinks.”

One of the songs he recorded with producer Jarvis Taveniere (Whitney, Purple Mountains, Waxahatchee), was a track called “Car Crash.” It was inspired by his unwillingness to drive, despite being from Los Angeles — facing his fears and learning how to navigate an automobile, then getting in a horrifying wreck that was completely his fault.

After writing and recording, Solomon was restless enough to simply drop a live performance video online without fanfare. His entire life changed. Almost immediately after being released, the song had found a massive audience; his audience. The simple guitar melody and raw, in your face vocal performance resonated with people everywhere. “Life is chaos, love is pain,” Solomon sings. The chorus, which features Shannon Lay, is short but packs a mighty punch. “I think people are reacting to the sincerity and honesty. I’m just being myself,” Solomon speculates. Everything is algorithmically curated, and “Car Crash” feels like the exact opposite — a spur of the moment flash of brilliance. It’s vulnerable and you can hear the feelings Solomon works through as he sings. It’s a splash of cold water on a hot day.

It’s a tale so morally-driven that it belongs in a self-help book. “Follow your dreams, honor your vision, and good shit happens.” More like, work your ass off for a decade honing the voice you’ve always heard in your head, follow the light that keeps you up at night. Then, just maybe, you might find your fan base. That fan base might be 10 hardcore devotees, or millions of views across social media.

As for “Car Crash,” Sean had no idea it would resonate with people the way it has. “Kids were covering the song before it was even released. It’s so touching. It’s amazing,” he marvels, before hedging his bets: “This was all a surprise. I'll take what I can get.”

Tickets HERE

Shaking Hand are a Manchester trio who construct long slowburning post-rock in multiple tunings and time signatures, taking inspiration from modernist architecture, 90s US alternative and midwestern emo. The band's musical DNA runs through experimental guitar outfits like Women, Slint, Sonic Youth, Pavement, and Ulrika Spacek, balanced with the melodic sensibility of Big Thief and the dynamic intimacy of Yo La Tengo.

Tickets HERE

FUTURESOUND EVENTS PRESENTS

With support from Clive.

Tickets HERE

Dom Glynn & His Sunday Best is the sound of Birmingham-born songwriter Dom Glynn bringing classic American country and honky-tonk traditions into the modern day. After years spent honing his craft in UK music venues and across Europe, Glynn has become a seasoned performer and songwriter influenced by legends like Johnny Cash and Hank Williams Sr. Now leading a dynamic electric band featuring Telecaster guitar, bass and drums, they deliver high-energy live shows that get audiences dancing. With festival appearances across the UK and Europe and a live album released in 2025, the band continues to build momentum into 2026. 

Tickets HERE

Cigarettes for Breakfast are a Philadelphia-based band known for their lush soundscapes and raw, emotive, fuzzed-out performances. Founded by Matt Whiteford, Latest album, "Slow Motion," showcases a more personal and vulnerable approach to songwriting while expanding on their modern take of classic shoegaze and dream-pop sounds. The band's live performances are known for their immersive experience, intended to be listened to all the way through.

Waves Crashing are a Seattle-based band known for their unique blend of grunge, gaze, dream pop, alt, and shoegaze. The band features Josh Calisti on guitar and vocals, Bryce Albright on drums, and Zach Olson on bass and backing vocals. They have gained recognition for their critically acclaimed singles and their debut album 'Effection'.
Abandoned Buildings are a Lynch inspired Shoegaze, Dreampop, and alt quintet from Bradford. Recently supporting Henge, Whitelands & Kelley Stoltz.

Tickets HERE

Eat It Raw Presents…

A Different Kitchen, a project fuelled by remorse and shared through personal experience. Blurring the lines between psychedelic-rock and post-punk, the Norwich-born outfit have specialised in writing thoughtful and achingly personal songs, exploring the darker side of grief, loss and social injustice. The quintet pairs a unique blend of fragile emotion and unfiltered raw energy, resulting in an intense listening experience designed for live consumption.

After receiving accolades from Tom Robinson and Emily Pilbeam on BBC Radio 6 Music for singles ‘BBQ Dog’ and ‘I’m Fine I’m Fine’, A Different Kitchen were subsequently tipped by the pair as Ones to Watch in 2025 - leading to a slot at Sheffield’s ‘Get Together’ Festival, alongside established acts such as English Teacher, Swim Deep and Adult DVD. With rapidly growing momentum, the quintet expanded their discography with two EP releases in 2025, 'Denouement’ and 'Revolt'.

Tickets HERE

With support from Wormboys.

Brudenell Presents…

Tickets HERE

Arthana Presents...

With support from Herbie Underwood.

Louise is a jazz vocalist whose compositions draw inspiration from modern artists such as Immanuel Wilkins and Kenny Wheeler. With her sextet consisting of voice, soprano saxophone, guitar, piano, double bass and drums she aims to draw her audience in with her unique style.

Tickets HERE

Brudenell Presents…

Grace Cummings brings her most ambitious and unsettling work to Europe and the UK this November. Bloodhorse! — out August 14th via ATO Records — is the fourth album from the Melbourne-born singer-songwriter, and it arrives as a bold leap into new territory. Recorded in Topanga Canyon with GRAMMY-nominated producer Jonathan Wilson (Father John Misty, Angel Olsen, Margo Price), the record finds Cummings pushing her extraordinary voice — that deep, feral, stop-you-in-your-tracks alto — into music that shudders with synths, tense strings, and woozy grooves alongside the campfire intimacy she built her reputation on.
Where Ramona opened up her world, Bloodhorse! plunges into the dark of it. Themes of life, death, agency, and self-examination pulse through an album that is by turns lush and violent, confessional and defiant. It's music that feels as much as it sounds.

Following a run of European dates supporting Father John Misty and a sold-out London headline show at The George Tavern, Cummings will bring Bloodhorse! to life with her full band this fall. Not to be missed.

Tickets HERE

Futuresound Events Presents…

With support from Painkiller & Plonk!

Melbourne’s Delivery have made a name for themselves with their brand of caustic, mutant garage-punk that sounds like the sun-baked desert vistas that populate Mad Max films (according to Brooklyn Vegan at least).

It’s been a hot sec since they returned to the EU/UK, and even longer since their last release - 2025’s “Force Majeure” via Heavenly Recordings, which plays like its title suggests; an unstoppable force of an album that hits like a battering ram and doubles as a calling card from your new favourite rock’n’roll band.

If their electric live show is anything to go by, Delivery aren’t ones to sit still for long, and with a run of sweaty bandroom shows on the cards it’s a safe bet to assume they’re up to something... what exactly that is remains to be seen.

Tickets HERE

Malcolm Middleton is a Scottish guitarist and songwriter best known for his work with Scottish indie band Arab Strap. His solo career includes seven albums, starting with 5:14 Fluoxytine Seagull Alcohol John Nicotine (2002) and ending with Bananas (2018). Blending introspective lyrics, indie rock and pop, his music explores themes of depression and human relationships with a darkly humorous edge. 

As well as collaborating with artists such as David Shrigley and Mira Calix, Malcolm has composed soundtracks for the films Rogue Farm, Munro and The Closer We Get.

He also records as Human Don't Be Angry and Lichen Slow.

Malcolm is currently (still) working on his 8th solo album and will finish it at some point...

"Right up there with Nick Cave, Leonard Cohen and Johnny Cash" (SUNDAY TELEGRAPH)

"Middleton shows off impressive acoustic guitar skills oddly reminiscent of a young Paul Simon" (THE TIMES)

"...achieves ABBA-like moments of pop greatness" (MOJO)

"Has a warm, immediately engaging voice that makes even his saddest songs sound strangely joyful" (THE GUARDIAN)

Tickets HERE

With support from Studio20.

Brudenell Presents….

Pinpointing the specific catalyst for an avalanche can be slippery — any combination of classic elements, human interference, or freak accident can trigger disaster — and documenting these precise moments often rests on serendipitous reflexes. On Two Wheels Move the Soul, Robber Robber offer themselves as ignition and capture every sound in the wake. Involuntarily thrust into the throws of rootless nomadism, Robber Robber ringleader Nina Cates collects a series of pressurized vignettes to assemble the Burlington quartet’s thrillingly explosive sophomore album.

Two Wheels Move the Soul was written and recorded throughout the winter of 2024 and 2025, a season of Cates’ life characterized by near-constant upheaval. In January of 2025, Cates (and Robber Robber co-founder) Zack James were displaced from their longtime home at the behest of a landlord’s call to have their building demolished. In a moment’s notice — and amidst a particularly brutal Vermont winter — Cates and James were left to fend for themselves. Luckily, the two were able to tap a deep well of support within their community, finding respite on the couches of Lily Seabird, Greg Freeman, and Thus Love’s Echo Mars. An unused attic provided their longest arrangement.

The personal and economic chaos of living at the mercy of nameless powers-that-be redirected into a hyperfocused attention on Two Wheels Move the Soul. Returning to Little Jamaica Studios — one of the sites for their acclaimed debut Wild Guess — Cates, James, guitarist Will Krulak and bassist Carney Hemler hunkered down with their trusted engineer Benny Yurco. The familiarity between the cast of characters allowed the studio to become a sanctuary, and foregrounded Two Wheels Move The Soul’s constant foray into sonically adventurous terrain. “Everywhere else that we had to be, we were very much visitors,” James recalls. “When we were working on the record, it was nice because it felt like this is our space.” Still, an overwhelming sense of impending doom hangs over Two Wheels Move the Soul. Every scribble on the guitar thins the air, each stab of percussion and wave of distortion makes it that much harder to breathe.

On Two Wheels Move the Soul, landslides come early and the news of their arrival is just as chilly. Propelled by Cates’ nonchalant bars — inspired by the effortlessly-cool cadence of Gucci Mane and Lou Reed — Two Wheels Move the Soul saunters in and out of frame with the implicit assurance that any gaze will follow. Album opener and lead single “The Sound It Made” rattles into existence, eschewing exposition to plunge directly in the deep end. The polarized extremities of Robber Robber’s sonic palette fuse throughout Two Wheels Move the Soul, spanning post-punk scorchers, burnt-out slacker anthems, and melodies that sweeten the bitter pills stomached along the way. “Yes I know, gotta work for my pay,” Cates exhales on standout “New Year’s Eve,” a swaggering depiction of life’s myriad impediments. “I’m tired, so is everyone - how can I complain?” Cates wastes no time indulging in the miseries of late-stage capitalism, opting instead to resolve casual disappointment with a cool composure. “What more is there to do?,” Cates asks on “Pieces,” the slow-burning b-side intro that plainly lays out what happens when your life falls apart: “you’ll end up with a piece.”

Working through the discomfort of class, upheaval, and catastrophe is a central philosophy on Two Wheels Move the Soul. “You can leave it, but it follows you home,” Cates buries beneath incendiary bursts on “It’s Perfect Out Here in the Sun.” Easy to miss, it is a possible catalyst nonetheless. In the midst of the avalanche itself, the sparks ignited throughout Two Wheels Move the Soul fall by the wayside, and all that’s left is the wreck. “Upend, upend,” Cates intones atop kinetic and relentless instrumentation. Then the pressure cracks again. “So we dance.”

Tickets HERE

With Support from Mayfire & Mini Disc

Futuresound Events Presents…

Big Red began life as a collection of guitar songs written by Joseph Scarisbrick (singer/creator of rock band ) that were just not right for his other project.

With the help of bassist Millie Kirby and drummer Charlie Hancock,  is now a power trio, committed to an honest recording process: live takes, a cowbell on one song and double tracked guitars on choruses. Nothing more, nothing less.

Tickets HERE

Ormella heads out on her debut UK tour. The London songwriter makes ethereal indie folk that runs darker than it first lets on: close, narrative songs carried by a deeply emotive voice. It follows her record Between the Devil & the Deep Blue Sea on Sweat Entertainment — a seven-track study of heartbreak, distance, and the slow resurfacing that follows. "Ethereal folk with real weight" (BBC Introducing); "captivating and devastating in equal measure" (She Makes Music). The first chance to catch the songs live across the UK.

Tickets HERE

“Genevieve Miles isn’t here to be palatable — she’s here to be felt. Blending psychedelic, witchy alt-rock with raw emotional honesty, her music channels rage, grief and release in equal measure. With a rapidly growing reputation for live shows that feel more like collective therapy than gigs, Miles is carving out a space where audiences are invited to be loud, unfiltered and fully alive. Fresh from BBC Introducing support, major festival slots and a headline UK tour, she’s stepping into what she calls “the time of the wild woman” — and she’s bringing everyone with her.” - Baby Step Magazine

Witchy alt rock FFO Slowdive, Wolf Alice and The War On Drugs

Tickets PAYF on the door only

For fans of dancefloor jazz, interplanetary nonsense and grand voyagers of the cosmos themselves, Plantfood are returning to their home city with a galactic event at HPBC, courtesy of Hyde Park Jazz Club. This event is non ticketed and PAYF, so be sure to get down early so you don't miss out on a spot! Support from the iconic FEE.

Plantfood are a blood-pumping jazz force summoning an onslaught of electronic and acoustic sounds with influences ranging from heavy hitters like The Prodigy to the spiritual explorations of John Coltrane. The 6-piece collective guides audiences through the extremes of the mosh pit to serene meditations. Forming within and coming up through the inspiring Leeds Jazz scene and now based in Leeds and London, Plantfood have quickly become a defining sound in the community.

“Powerful as ever” - Jess Iszatt, BBC Radio 1.
“My favourite discovery of Glastonbury 2023” - Papaoul.

Tickets HERE

The Soup Dragons formed in Bellshill in 1985. They signed to Bristol-based label The Subway Organization in 1986 and released their breakthrough hit Whole Wide World soon after, the track reached No. 2 on the UK Independent Chart. The band then signed to label Raw TV and had further chart success before releasing their debut This Is Our Art in 1988. In 1990 they released their biggest UK hit, a cover of I'm Free by the Rolling Stones. They then released Divine Thing which became their biggest US hit. 

The band split up in 1995, with all members going on to other ventures. Sean formed The High Fidelity then became DJ HiFi Sean, Paul Quinn joined Teenage Fanclub, Sushil K. Dade formed Future Pilot A.K.A and has had a career as a producer for BBC Radio 3, Jim McCulloch joined Superstar among other musical projects and Ross Sinclair has had a successful career as an artist, writer and musician, he is a professor at Glasgow School of Art. 

Tickets HERE

The Wednesday Flowers are a rising all-girl indie rock band making waves in the UK’s alternative music scene. Originating from the North East, Stockton-on-Tees, this genre-defying five piece fuses elements of ethereal gothic rock, indie and grunge shoegaze to create a sound that is both nostalgic and refreshingly original.

Formed through a shared love of music and live performance, The Wednesday Flowers quickly gained attention for their bold songwriting and captivating stage presence. Their debut single, "Love Me," is a striking introduction to their musical abilities: a darkly melodic anthem that balances emotions of love, yearning and wanting. 

Live shows are at the heart of their identity. The band has built a loyal following with dynamic performances at local venues like The Grove, KU Bar and made their festival debut at Kendal Calling. Their sets seamlessly blend original tracks such as “Suffocating” and “Falling Behind” with inventive covers of Paramore, and crowd favorites like their version of “Talk” by Beabadoobee 

Tickets HERE

With support from Troutflies & O'Buffet

Keg have been experimenting with their sound ever since their conception. Over the 6 years as a band they have garnered attention for their frenetic live performances and unwavering commitment to not settling on one sound. Their new album 'Relaxing Near the Hospital' only further cements this ideology. At once tender and vitriolic the album is full of contradiction, each song taking a sojourn into their myriad of influences. From hefty chunks of hardcore, to Steely Dan leaning croonerish tracks the album is reminiscent of Ween in its commitment to an noncommittal sound. What feels new is a level of vulnerability which has often been hinted at in previous releases, but here feels fully established.

The band have released two critically acclaimed EPs 'Assembly' (2021) and 'Girders' (2022), garnering attention from Loud and Quiet, NME, Dork, So Young and support from BBC radio 6 and Radio X. DIY are real champions of the band, awarding them a slot in their prestigious Class of 2023. Their debut album 'Fun's Over' charted in the top 75 in the overall album charts, 10 in Record store charts and in the top 25 in Independent Album charts, received several 4/5 and 8/10 reviews including "Marks the beginnings of a group aiming for the big leagues" - Sound of Violence ****

It is the live arena, where KEG is understood best, they've earnt their stripes at Greenman (Big Top), Latitude (Sunrise Arena), Sur Le Sac (CH), Sacred Ground (DE), End of The Road (Big Top), Dour Festival (BE), Vida Festival (ES) and built a loyal following of fans across the UK and Europe. 

Tickets HERE

Join us on the 15th of November at HPBC for a fundraiser for @frameless.0 – a Palestinian collective supporting children and artists in Gaza City!

Doors open at 6.30pm where you can visit our pop-up exhibition, Archive of Home, featuring works from artists across Gaza who have visualised what home means to them. We will also be selling art prints and comics based off children’s interpretation of daily life in Gaza.

Expect a night of great music, art and people – featuring local Leeds DJs: Eyo96, Slaya, ihatenoise, ilionlostherbs, and bundy.

Tickets HERE

Fathers Moustache are a 4 piece alt rock band stemming from the streets of Castleford, after exploding onto the local scene in 2025 their looking to step up their game and take the next steps into the industry.

Tickets HERE

An evening of songs from the upcoming 'Live EP' and more performed with the delicately layered textures of Aaron Brooks' band.

Aaron Brooks is an alternative/indie folk artist based in Leeds. Focused on a blend of abstract evocative lyricism, distinctly gentle but rhythmic fingerpicking and emotive vocal performances, their music reaches to capture a complicated but universal range of human emotions. Whether playing as a solo singer/songwriter or with the delicate textures of their unconventional backing band, their songs always maintain a subtly disarming quality.

Their upcoming 'Live EP' imbues the songs with a sense of immediacy, utilising partly improvised band parts and completely live recording to echo the magic of music that simultaneously feels fully crafted and in the process of forming.

Tickets HERE

Following the release of her debut album 'Feels Like Fiction'; a collection of songs inspired by storytelling and literature, join singer-songwriter Chloe Jones on her unique bookshop tour of the UK this November.

About Chloe Jones

Chloe Jones is a Manchester based singer-songwriter known for her evocative storytelling and rich, expressive vocals. Drawing inspiration from literature and travel, and likened to musical legends Joni Mitchell, Tracy Chapman and Brandi Carlile, her music blends elements of folk, country and Americana with a lyrical depth that connects with audiences of all ages.

Her reputation as a captivating live performer has been building steadily after a hugely successful 2025 UK tour and appearances at major festivals (Glastonbury Festival, The British Country Music Festival) and venues across the UK. Her work has earned chart recognition and critical praise, including radio play on BBC Introducing, Countryline Radio and BBC Radio Manchester.

''Feels Like Fiction' - UK Tour' brings the audience a blend of music and literature with an enchanting solo, acoustic performance, celebrating the art of storytelling in Chloe's unique and authentic style, ensuring an evening not to be missed. 

Advance Tickets: £12
On The Door Tickets: £15

"Jones’ narrative style is at times quite novelistic, betraying a love of literature, but her subject matter always remains personal and reflective." - Americana UK

"A wonderful flow of lyrical storytelling...her music has the ability to draw us into Chloe’s world" - Buxton Fringe Official Review 2025

Tickets HERE

Super Friendz Presents…

At the heart of Montreal’s Elephant Stone is Rishi Dhir, a songwriter and sitarist who has spent twenty years blurring the lines between Western psych-pop and Indian classical tradition. What began in 2006 as a quest for transcendental sound has evolved into a singular, self-contained vision. Operating out of his Montreal home studio, Sacred Sounds, Dhir has emerged as a true studio auteur – producing, engineering, and mixing the band’s increasingly complex and cinematic output.

With a discography spanning 10 acclaimed releases, Elephant Stone remains at the forefront of the modern movement, constantly deconstructing the past to find something visceral, haunting, and undeniably human in the present.

Tickets HERE

Slam Dunk Presents…

Soot Sprite the emo outfit originated in Devon UK in 2018 by front-woman Elise Cook. Since 2018 they have released 3 EP’s (one self released) and their debut album under Specialist Subject Records.

Soot Sprite extensively toured the UK and Europe, sharing the stage with bands such as Sweet Pill, SUDS, Chase Petra and Bears In Trees and released their debut album ‘Wield Your Hope Like A Weapon’ in 2025 to much critical acclaim.

Clash Magazine- “A piece of art that perfectly captures something vital about what it means to hope for a better 2025 - 8/10”

KEXP - “A potent set of alternative sweeping rock and epic bedroom rock that mixes shoegaze, grunge and emo elements to serve as the backdrop to Elise’s urgent, expressive, dark-yet triumphant lyrics”

Tickets HERE

The Drop Jonnies are unapologetic in making the music they want to hear: raw, energetic, and honest. Driven by the sharp guitar influence of the Libertines and Cribs, the band unites pop hooks with a gritty lyrical edge. Their live sets draw growing crowds across the UK, recently selling out Liverpool’s 300-capacity venue District and packing out the dive bars of London. Their performances offer an insight into the chemistry shared by members Ed, Ollie, Max, and Tom. At its core, The Drop Jonnies are a tight-knit event, eager to promote their new single ‘Marie’ on their upcoming UK headline tour, with dates in Liverpool, London and Leeds.

Tickets HERE

SJM Concerts Presents

Plus Support

Gabriella Cilmi’s return with the single ‘Pure Love’ earlier this year reminded us of the limitless charms of the ‘Sweet About Me’ hitmaker - and in the process proved that she had much more to offer. The song was premiered by Gary Davies on Radio 2, while Gabriella’s rediscovery continued with a packed show at The Great Escape as well as a nationwide tour as special guest to Beverley Knight. Now that comeback hits a new peak as she announces that her new album ‘Pure Love’ will be released on 9th October 2026 and is accompanied by the release of the new single ‘YRU Hanging Around’ out today. Listen HERE. Watch the official video HERE.

‘Pure Love’ is a record she made having discovered the confidence and freedom to make exactly the kind of album she wants to make: a soulful organic one, on which she could sing from the heart. And it’s certainly worth the wait, a triumphant return in which her warm, throaty, unmistakably expressive contralto wraps itself around the deep soul, jazz and classic rock that has always been closest to her heart. 

Plus Support

Tickets HERE

Line up so far is LimeWave, Cerebellum and Kemi Kali, more tbc.

Bold as Brass

The bi-monthly live music night returns to Hyde Park Book Club.

Lineup Announcing Soon

4 acts | Doors 7:30pm

Tickets on sale soon.

Presented by Not a thing. Events

Tickets HERE

Futuresound Events Presents…

£15 ON THE THE DOOR - £7.50 STUDENTS

The Limpet Club Presents…

Smiodair bring their debut UK tour to Hyde Park Book Club.

Robin Fincker - saxophone/clarinet

Laura Jurd - trumpet

Simon Jermyn - bass

Dave Smith - drums

Four leading European creative musicians whose music moves between thunderous grooves, dream-like sonic landscapes and contagiously joyful musical conversations.

Matthew Bourne - solo piano

Fearlessly unpredictable pianist and composer, known for his exploratory and experimental sensibilities. Collaborator with the London Sinfonietta, Amon Tobin and the late Keith Tippett. His work has featured in Paolo Sorrentino’s 2018 film LORO.

Leg Day

Harvey Parkin-Christie - tenor sax

Teruki Chan - drums

Ozzy Moysey - double bass

Rooted within the Leeds improv scene, playing original compositions and hurtling into the blissful unknown in search of the good stuff. First formed over a mutual love of improvised music, world music traditions, BBQs and a fleeting optimistic moment of going to the gym together.

Tickets HERE

A special live show to celebrate the release of Rafffffff: An Ordinary Life.

RAFFFFFF has been writing and releasing rap music for 20 years, both solo (under the name Raphael Attar) and as emcee and frontman with electronic space-jazz outfit Paper Tiger. Now, after time out the game raising kids and pursuing a Proper Job, he returns with an album of tales from the frontlines of everyday bullshit – falling asleep on the floor, walking into parked vans, descending into the abyss of short-form video, burning out and finding hope in love.

Entirely produced by Greg Surmacz (XVI Records), An Ordinary Life combines elements of future jazz, UK rap and electronic hiphop, with RAFFFFFF delivering his trademark humour and lyricism over woozy synths, skittering beats and live instrumentation. The result is a perspective rarely heard on the scene – the voice of a middle-aged man juggling work, family, and the strains of modern life, just trying to get by.

“Charmingly ramshackle” - The Guardian

Tickets HERE

Rat Pakk are an anarchist, aggressive, energetic band certain to impress and fire up your inner rage. The six piece claim a "piss on yer Christmas dinner kinda attitude".
Experience them live on the 22nd of November, supported by two amazing bands...

White Sugar Machine, described by Content Nausea as "mesmerists of the postmodern age" are fresh talent, eager to please. They combine heart-breaking lyrics and melody with wild performances and existential attitudes.

Vanity Children finish the line-up with more raw, front-forward power and emotion. Great performers with groovy tunes.

Tickets HERE

Join us for an intimate, stripped back set to celebrate Lucy Robinson's powerful new single "Dobermanns". Have a first live listen to the song that sneaks up on you with a sucker-punch to the face.

Lucy Robinson has steadily built a reputation as one of the UK's most exciting emerging independent artists, earning praise for her unique blend of dreamy pop, soulful vocals, gritty rock influences and quick-witted, emotionally honest songwriting. Lucy's last release was named BBC Introducing's track of the week and was picked up by some big players - Billboard, Tinnitist, Loud Women, Rolling Hype, Earmilk and many more.

With a lineup of top-class musicians accompanying Robinson, it's going to be an absolute treat for the ears.

Tickets HERE

With support from SUCKLE and FORENSICS!.

Stonks blend post-punk, noise rock, jazz, and shoegaze into a chaotic and groove-heavy style. Stonks create a highly unique sound that balances nervous energy, heavy distortion, and danceable grooves. Instead of sticking to standard rock formulas, the four-piece band layers different musical genres, to create an atmosphere that feels both urgent and simultaneously deeply planned.

For fans of Ditz, Gilla Band, Black Midi ect. Two Leeds based supports TBA!

Tickets HERE

Elf Traps bring their debut album tour to Leeds. Formed by Mercury Prize nominee Rob Turner (Mammal Hands, ex-GoGo Penguin) and Liviu Gheorghe (ex-Matthew Halsall/Gondwana), they fuse spiritual jazz with glitch, jungle and live electronica - drums and synths tangle with drum machines, samplers, chopped vocals and robotic percussion, swinging between calm and explosive peaks. No two shows are alike. Early champions include Graham Massey (808 State) & Gilles Peterson. Debut album lands Oct/Nov 2026.

Special guest Shunya (Alan Keary), son of guitarist Dave Keary (Van Morrison), moves between violin, bass and vocals, blending futuristic Irish folk, jazztronica and electronic sound. He's sold out Village Underground, written orchestral arrangements for Abel Selaocoe's BBC Prom, and remixed GoGo Penguin. Rough Trade calls him an "enigmatic new discovery."

Two boundary-pushing UK acts, one night at Hyde Park Book Club.

Tickets HERE

FUTURESOUND EVENTS PRESENTS

Tokyo Tea Room are a band from Margate, UK, who strive to create music inspired by human emotions, exploring themes of longing and the ephemeral nature of existence. With a warm, hypnotic sound shaped by introspective songwriting and production from Daniel James Elliott, the project carries a distinct and immersive sonic identity. Tokyo Tea Room is a timeless project whose message transcends the music itself, arousing passions and emotions and taking listeners on a journey within a tender, comforting bubble.

Their debut album No Rush established them as one of the most compelling emerging acts in alternative music, resonating with a growing global audience. With millions of monthly listeners and a sold-out debut North American tour, the band are quickly building momentum - particularly in the US, where their audience continues to expand.

With new music on the horizon, Tokyo Tea Room are entering a defining new chapter, evolving their sound while staying rooted in the emotional depth that defines their work.

Tickets HERE

“Meet lavender, a winsome London-based duo consisting of Oskar Rice and Adam Jackson. You can hear the confluence of their weirdly disconnected musical worlds merge on these songs. Their influences, which range from American Football to Burial, Steve Reich to J Dilla, are mixed up in a minestrone of sounds. The songs, with these vivid textural patterns, gossamer-thin layers of audio competing and commingling to create these magical, melody-rich results. Big fans of sampling, it’s hard to pinpoint exactly where they begin and Adam’s voice or Oskar’s beats end. And that’s how they like it. Multiple plays reward the listener as the music unravels and gradually reveals its secrets.” - Bill Brewster

Tickets HERE

Craven are an English and Welsh cinematic folk trio based in the South West. Their music toes the line between symphonic weight and ethereal delicacy. From yearning and bitterness to white hot rage, Craven explore themes of queerness, transness, solidarity, and anti-war sentiment through traditional ballads.

Their debut album, "The Fruits of Idleness, Disgrace, and Death", showcases a sensitive approach focusing on storytelling and word-painting. They bring in sounds and techniques from chamber music, electronic dance music and punk, while staying rooted in the traditions of the material.

La'l Tethera, based in the rainy Lakeland Fells, combine broad, textural arrangements with close vocal harmony, to create a tight and intentional sound, full of groove, grit and lilt. They bring a deep-rooted knowledge of English folk to a globally inspired repertoire.

Tickets HERE

With support from Zoe Cure.

The Rabbitts craft music that blurs the lines between folk, alternative, and atmospheric pop. Known for their delicate harmonies, immersive arrangements, and a sound described as “ethereal and understated” (BBC Radio 6), they create songs that feel both intimate and cinematic. Critics have called their work “hypnotic... crafting a meditative spell” (Obscure Sound) and “intricately lush and completely captivating” (Podcart).

The Norwich-based band began 2026 with an immersive and isolated creative retreat in the mountains. They now have a new album set for release on November 13th 2026. This show is part of their UK album release tour, where songs from the new album will be performed for the first time alongside a few old favourites. This tour follows on from their 2025 tour which sold out multiple shows around the UK, and the release of their record ‘Orbital Collection'. The Rabbitts are an ever-evolving group who are constantly creating and rarely staying still.

Tickets HERE

Driven Serious is undoubtedly one of the most engaging, energetic,
original live folk-rock acts in the UK today.

Driven Serious new album: "Look On These Works is an incredibly
engaging listen, whether it’s the monumental sounding strings that
carry us through this adventure, or the war-like drums at the start of
the title track, it’s an impressive experience." - Narc

Driven Serious performance: " I suppose you could file Driven Serious
under the banner of folk-rock; but they are so much more than that.
They have a vibrancy that you can virtually see thrumming off them
when they play, passionate and with the hand-brake well and truly off,
and with a vibe that has had people likening them to The Levellers to
The Pogues to The Smiths to The Wonderstuff" – The Crack

Tickets HERE

With support from Internet Cafe.

Brudenell Presents...

Tickets HERE

Go To Beat Presents…

Celebrating the release of their debut EP, ‘objects in the mirror are closer than they appear’, Cab Driver are headlining Hyde Park Book Club on the 30th of November. Blending a timeless British rock sound with aspects of Blues and Britpop, Cab Driver brings a new sense of youthfulness and camaraderie to the scene. After a sold out release party for their debut single ‘Insincere’, this is not one to miss out on.

Tickets HERE

With support from Leifert.

Brudenell Presents…

The Sick Man Of Europe is dedicated to the art of repetition, precision and conviction, with echoes of the post-punk and European art rock pioneers at the cusp of the 80s re-tooled for the present. Second album The Intermittent Signal follows 2025’s self-titled debut and raises the stakes. This is the sound of resistance, with arrangements that have moved beyond the bare bones economy of the first record to find new levels of intensity. Clarity and conviction ring true through the static and noise, while utopian ideas to remodel a broken system gain traction.

The Sick Man Of Europe has built a reputation for uncompromising live shows which blur the lines between audience and performer, and have fostered a growing and loyal following. The desire for more visceral experiences beyond those viewed on a screen is a natural reaction to technology’s flattening of culture and TSMOE attempts to articulate an alternative while providing the soundtrack to make you want to move.

“Blends pulsating motorik beats, nagging basslines and droning electronics into all-consuming atmospheres. Fronted by foreboding vocals that sit somewhere between Ian Curtis’ melancholic baritone and something more experimental, phrases are repeated over and over like mantras, slowly building in intensity until the words take on entirely new meanings” Electronic Sound

“The Sick Man Of Europe blend Krautrock aspects with charred remains of post-punk, tying this together by tapping into the UK’s current dystopian darkness” Clash

“If you dig danceable post-punk, give this a spin” Brooklyn Vegan

“Coldwave for hot days” Bandcamp

“We have one of the great new British live bands on our hands” Juno Daily

Tickets HERE

Ponzo

Ponzo are a gothic art-rock trio inspired by 80s New Wave, Trip-Hop and ambient soundscapes. They combine fretless bass, esoteric lyrics, textured drums and experimental guitar to show their haunted, yet nostalgic, musical vision.

shoplifting. 
Leeds based duo shoplifting. are an electronic post-punk band exorcising
dormant anger at the unconscionable behaviour of the wealthy and those who sit
idly by. The duo share the vocal duties with baritone guitar, synth and bass
accompanying the fast paced drums as they shift from heavy upbeat punk to low
groovy dance beats.

Eszter Vida

Eszter Vida is the indie-rock/dream-pop project of the Leeds/Sheffield-based singer-songwriter. Together with bassist/co-songwriter Lola Wainwright, guitarist Ben Whiteley, drummer/producer Evan Martin and James Bromley on keys, they’ve woven a warm, dreamy sonic landscape, cherry-picking the yearning and nostalgia of late 80s new wave/early 90s indie-dream pop bands like The Cure, Wolf Alice and The Cranberries with the singer-songwriter wit and grit of Courtney Barnett, Snail Mail and Julia Jacklin. 

Tickets HERE

432 Presents…

Tickets HERE

Do you want to be a part of the first chapter?  Get ready to dive into Angelina's world at her first headline set alongside her spectacular all-female, rocking band.  

With a bit of world building, a bit of storytelling and whole lot of captivating, expressive music you don't want to miss this one night only, special sneak peak at some fresh, unreleased songs. 

Inspired by the likes of 'Kate Bush', 'The Last Dinner Party' and 'Lana Del Rey', Angelina X writes songs based on books, so you can guarantee that it will be an evening of magic and wonder, showcasing some iconic female talent.  

Get your tickets now for the bargain price of £5 (plus booking fee)!

Tickets HERE

London based artist Al Cologne's sound is charged with an electric, queer tenderness, gently fizzing with emotion that has condensed over years of diaristic, kitchen-sink songwriting. Yearning, intimacy, sexual discovery are bottled in songs shaped by mood rather than fixed arrangement. Their debut EP 'Milk Teeth' released March 2026 via Joy of Life International, drifts in the orbit of Angel Olsen, Sharon Van Etten, Big Thief, and Faye Webster. 

Tickets HERE

Halfmark return to Hyde Park Book Club for their biggest headline show of the year.

The Bradford/Leeds indie-rockers have spent the last year building a reputation as one of the most exciting young live bands around, selling out shows, playing major festivals and picking up national BBC Radio support along the way. Fresh from their appearance at Y Not Festival, Halfmark are bringing their biggest and most ambitious headline set yet back to Leeds.

Expect huge guitars, big choruses and a high-energy live show built for a packed room. With new music on the way and plenty more to come, this is a chance to see Halfmark at an important moment in their rise.

Last year's Hyde Park Book Club show sold out — don't miss this one.

Tickets HERE

Hailing from an isolated village up on the North Yorkshire Moors, ELAINE PALMER has spent much of her life travelling back and forth to family in Phoenix, Arizona.
Touring extensively, sharing stages with the likes of Patty Griffin, Lilly Hiatt and Seasick Steve, her two most recent releases Half Moon Rising and Some Seek Silver, Some Seek Gold have seen her working with musician and producer Mike Butler (Phoebe Bridgers, Norah Jones, The White Buffalo) at his Half Moon Lodge studio high in the San Diego hills.

'Palmer's powerful expressive voice stands comparison with Emmylou Harris.' - RnR Magazine

'Carefully constructed, strong on melody, her best work yet.'***** AmericanaUK

‘With a beautifully conversational voice, an unerring sense of melody and a bittersweet and wistful repertoire, Elaine Palmer is undoubtedly a talent.’ **** MOJO

Tickets HERE

Leeds rockers Hitlist are coming in hot off the back of their debut EP and fiery new single ‘Dirtbrain’. Expect ferocious riffs, full-throttle energy and a healthy dose of punk attitude.

Joining them in the basement are local garage-psych three-piece Plonk! also armed with new singles and bringing their own flavour of alternative punk.

Pal Presents is bringing the noise to Hyde Park Book Club for a proper Leeds knees-up. Two local bands, one cracking venue and a whole lot of racket.

Tickets HERE

James Yorkston is a singer-songwriter and author from the East Neuk of Fife, Scotland. Since 2001, he has released a series of acclaimed albums on Domino Records and toured them worldwide. His most recent album, 2025's Songs for Nina and Johanna is a collection of duets with Nina Persson of The Cardigans and Johanna of First Aid Kit and earned James and Nina a slot on Later... With Jools Holland, as well as BBC6 sessions for Huw Stephens, Marc Riley and Gideon Coe. "Travelling with James Yorkston, Persson, Söderberg, and all their friends is a journey entirely devoid of cliché, full of adventure, and impossible to tire of." - Popmatters.

James most recent novel is due in October 2026 -

Callum, Reine, Sylvie and Sparrow - A fragmentary novel by James Yorkston. Nine interwoven fictional tales involving Callum, a journalist and musician, alongside his friends, lovers and family. Includes: Music, travel, lochs, love, despair, strippers, football, antiquarian books, Scotland, Ireland, goodies and baddies and everything else that matters in the world. Perhaps.

'Yorkston is a brilliant writer, he never fails to deliver something unique' - Sam Heughan

'An outstandingly well written, emotionally complex slice of Scottish noir' - The Mail on Sunday on Tommy The Bruce

'There are echoes of Douglas Stuart's Shuggie Bain... This slim, punchy book is extraordinarily powerful' - The Times on The Book of the Gaels

'I absolutely love this book... The story flows effortlessly... An unsentimental and unflinching miracle of remembrance' - Jarvis Cocker on The Book of the Gaels. 

Tickets HERE

SJM Presents…

Tickets HERE

Slam Dunk Presents…

With support from PRIZE HORSE & MISHIKUI

Spite House is a Montreal-based post-hardcore band blending emotionally charged songwriting with the urgency and melody of ’90s post-hardcore and emo. Known for intense and cathartic live performances, Spite House has toured with acts such as Single Mothers and The Dirty Nil, and shared stages with artists including Fiddlehead, Angel Du$t, Glitterer, Militarie Gun, and Scowl.

Tickets HERE

Headline:

Blending 90s Britpop with 70s Classic Rock, Hydeout deliver an authentic, guitar driven experience. Formed by five music students from LBU, the band combines thoughtful lyrics, powerful drums and dual lead guitars to create an energetic live show that will have you moving your feet. @hydeout.bnd

Support:

Poolhouse are a garage-psych outfit based in Leeds. Taking inspiration from surf rock, punk and psychedelia, they aim to get as loud as possible. Don't forget your earplugs. @poolhousetheband

Info:

Catch Hydeout and Poolhouse live in The Snug on the 17th of December at Hyde Park Book Club for a night of proper rock and roll, just before the Christmas break. Come down, and see two great up and coming bands in action.

Doors 7:30pm

Poolhouse: 8:00 - 8:45pm

Hydeout: 9:00 - 10:00pm

Tickets HERE

Alt Christmas Event, with rock, metal, punk music and no traditional Christmas music. Talented local vinyl DJ's from the local area. A great excuse for a Christmas party with a difference, or a night out away from working in the Christmas scene. Warm friendly vibes. 18 plus only.

FREE JUST TURN UP

Pop Smear!! Feminist Disco. DJs Bethany and Gill, plus special guests, play records from 7-11pm. indiepop - riot grrrl - girl groups - punk & post-punk - r&b and soul - left of the dial - sha la la - ba ba ba - pop bangers. FREE.

Tickets HERE

Leeds based electronic post-punk duo shoplifting. are joined by garage rockers Fetish Society and gothic thrio Ponzo for their first headline show in The Snug.

Tickets HERE

Four up-and-coming singer-songwriters will grace the Snug at Hyde Park Book Club to take turns performing their original music, and sharing the personal stories behind their songs. Songwriter's rounds originated in Nashville, fostering community around songs and encouraging freedom of authentic expression - following on from ancient ways of sharing stories and art. Now this intimate performance style has spread internationally, and you can step into these artists world's right here in Leeds. Songwriter's rounds take music right back to its roots: raw emotion and face-to-face connection.

Our first event will feature four artists from across the country who all fit a different lane under the country music umbrella, and who have all seen significant career growth in the past year.

This cosy and collaborative event will take you on a winding journey through the many avenues of country music, keeping you entertained while also leaving you with a deeper understanding of how songs are born.

Tickets HERE

Private Regcords Presents…

Or Sobre Blau

Or Sobre Blau is the duo of Andreu G. Serra (aka Ubaldo) and Kiran Leonard. Their new record, "Making Friends" (STROOM, 2026), is a huge leap forward in ambition and focus, darting between misshapen free blues, chamber folk, blasted-out drone feedback, and whatever the two can throw at each other or find lying in between, "Making Friends" is a reflection on a decade of friendship, and a vivid document of an eclectic, sometimes chaotic, and inspired musical dialogue.

FFO: Owls, Aerial M, Tacoma Radar, Crescent

Rowan & Friends 

Rowan and Friends began on the 30th of March 2022 when Rowan Evans started his monthly residency at the Golden Ball Pub in York.
Since then, many different musicians have played with him and he has played with many different musicians, but his core principle stays the same: “I write songs and sing them with my friends”. 

FFO- Richard Dawson, The Mountain Goats, The Magnetic Fields 

Popstar, Superstar 

Popstar, Superstar is a new project co-founded by Reuben Pugh of Troutflies and Islay Wolstenholme of LULA. The driving force behind the band is a love of lo-fi, analogue music, Bringing together Pugh’s signature eerie, matter of fact lyricism and LULA’s emotive storytelling and Americana Influences. The Band hopes to release their debut EP in late 2026. 

FFO- Broadcast, The Brian Jonestown Massacre, Floatation Toy Warning 

Fakie & Friends 

“Piano was my first instrument, I remember I had some kind of charity shop small scale keyboard with the digital bossa groove. I feel like I owe all of what I play now to that little keyboard.” 

FFO- The Clientele, Black Country, New Road, Smog

Tickets HERE

Arc of Triumph are an alternative rock band from Leeds, known for their cinematic soundscapes, rich harmonies and a lyrical obsession with the rise and fall of empires - both personal and political. 

Formed by long-time collaborators, Simon Elvin and Rory Holl, what started in 2017 as a studio experiment quickly snowballed into something bigger. With no name and no fully fleshed out agenda, they began writing and recording tracks that would eventually become their debut, self-titled album.

In Summer 2025 the album was Revisited, Remixed and Remastered and also released on VINYL for the first time.

Lineup:

Arc of Triumph
Wot Gorilla?
A-tota-so
Matador
Still Bodies
New Work

Tickets HERE

TOONTapes Presents…

Mother Fungus are four individuals who each pull from separate wells of influence to obtain our sound. From expansive, blissful psychedelia & the joys and heartbreaks of life found in soul music, to the oceanic depths and raw primal energy only found on the dance floors & through the bass bins of British soundsystem culture, and everything in between.

We are Bradford based and proud of the cultures and communities that our city encompasses.

Tickets HERE

Step out from Birmingham being their heavy but nostalgic sound to Hyde park book club, Leeds.

Tickets HERE

Futuresound Events Presents…

Alien Chicks are a trio hailing from the streets of South London, known for their electrifying blend of punk, rap and jazz. They create a sound that is both raw and innovative, capturing the spirit of London's underground music culture. The lineup features the vocals and sharp guitar work of Josef Lindsay, the pulsating basslines of Stefan Parker-Steele, and the explosive drumming of Martha Daniels.

The band’s journey began in grassroots venues across the city, in particular The Windmill, Brixton, where their high-energy performances and unique sound helped them build a loyal following. Their relentless gigging paid off, leading to sold-out shows at iconic spots such as The Lexington, and the 100 Club. Now, their sights are set on Oslo Hackney as part of a UK mini-tour to celebrate the release of their second EP ‘Forbidden Fruit’ on 9th May 2025.

Before then, they head out on a headline tour around Germany and the Netherlands, and two support tours with Pom Poko and Lambrini Girls. This adds to the list of renowned acts they have shared stages with, including English Teacher, Fat Dog, The Libertines, Warmduscher, and Big Special. This summer, they will be appearing on festival stages across the country as well as in Germany and France.

Alien Chicks' music is a testament to their diverse influences and fearless approach to genre. Whether delivering rapid-fire rap verses, intricate jazz-inspired bass riffs, or thunderous punk rhythms, they continue to push boundaries and defy expectations.

Tickets HERE

Brudenell Presents...

Tickets HERE

Super Friendz Presents…

Tickets HERE

Super Friendz Presents…

Sitting at the core of Melbourne’s thriving movement of cinematic instrumental soul are Karate Boogaloo. KayBee’s roots go deep into the DIY soul idiom; Henry Jenkins, Hudson Whitlock, Callum Riley and Darvid Thor have been playing funk together since their playground days. Meeting as high school preteens, these four friends explored the teachings of the great small combo instrumental bands à la Booker T & The MG’s and The Meters. With these lessons in one hand and their characteristic sense of goofy humor in the other, the ensuing years saw Karate Boogaloo develop the kind of shared musical language that can only be built through countless hours spent together existing as friends and musical allies.

Tickets HERE

Futuresound Presents…

London-based multi-instrumentalist, vocalist, and producer Quinn Oulton has always been a  musical explorer. With a foundation deeply rooted in jazz, Quinn possesses a profound  understanding of complex musical concepts which he translates seamlessly into the more  mainstream genres of contemporary RnB and alt-pop. Expect to hear beautifully constructed  classic sounding tracks with hidden layers for appreciators of depth and detail. Quinn's  acclaimed work - including his debut album ‘Alexithymia’, and standout singles such as ‘100  Degrees’ (with Reuben James and Linden Jay) - has earned over ten million streams and  significant support across radio and press, and he has toured the UK and EU with his project,  supporting artists such as KNOWER, Elijah Fox and Jamie Cullum. Quinn also produces and performs for other artists such as Priya Ragu, Eyelar, and Amie Blu. 

We live in a world where we are forced to choose a side: conservative or liberal, art or business, success or failure. On his sophomore album What I Meant To Say, Quinn Oulton rejects these dichotomies to explore the space between. 

Moving beyond the rigid categorisations of his jazz roots, Quinn has developed a sound that sits somewhere between alt-RnB and experimental pop. The result is a record that is as intellectually deep as it is sonically accessible. It is a celebration of nuance - a personal quest for balance in his music between the light and the dark; digital and analogue; the rawly emotional and the meticulously produced. 

Releasing with Dutch label Frequency, the project is introduced by a diverse array of singles that act as case studies for Quinn's philosophy of nuance. "Comfort Food" offers an unusual perspective on addiction, "Catastrophe" explores dependency on doom-scrolling, while "Circles" (ft. Nix Northwest) introduces a new interpretation on nostalgia: what if life did peak when we were children? By considering the world and his music from every angle and refusing to settle for simple binaries, Quinn puts a body of work forward that is finally exactly what he meant to say. 

Tickets HERE

Beans on Toast returns in February 2027 for a special run of intimate, seated shows celebrating his new album ‘The Great Unravelling’. Recorded on the banks of the Huon River in Tasmania, the album is a soul-searching collection of songs exploring everything from distant galaxies to the magic of everyday life.

These up-close and personal shows will see Beans perform songs from the new record alongside a handpicked selection from his expansive back catalogue. Expect an intimate, spontaneous and one-of-a-kind evening of songs, stories and everything in between.

"Perhaps the defining voice of a generation."  Louder Than War

"The absolute finest chronicler of humankind."  Maximum Volume

"A travelling troubadour for the ages."  Three Songs and Out

 “A proper folk singer"  Frank Turner

https://beansontoastmusic.com/

SPOTIFY - INSTAGRAM - YOUTUBE  - FACEBOOK

Tickets HERE

Futuresound Events Presents…

Tickets HERE

Futuresound events Presents…

The Buoys are heading back to the UK & Europe, celebrating the release of their sophomore album Concrete Cowboy with a huge run of shows across the UK and Europe. 

One of Australia’s most exciting live bands, The Buoys have built a reputation on razor-sharp songwriting and high-energy performances that leave it all on the stage. 

With a brand-new album packed with songs that make you want to hug your mates, big riffs and heart-on-sleeve anthems, the Sydney four-piece are ready to bring this next chapter of music to audiences across the UK and Europe. 

Expect fresh cuts from Concrete Cowboy, fan favourites, and the kind of cathartic, full-throttle live show that has made The Buoys a standout force in Australian rock. 

Saddle up. Concrete Cowboy is here, and The Buoys are taking it to the UK & Europe. 

Tickets HERE

Super Friendz Presents…

Another Country $$$$ are a Manchester-based audio-visual duo, born through the city’s experimental dance underbelly- combining shape-shifting electronic production, live drums and visuals. They craft blistering hybrid sets that fuse dub, jungle, DnB, garage, noise and hyperpop with a haunting cinematic edge.

Rooted in Manchester’s DIY scene and signed to tastemaker label Spinny Nights, the duo have quickly earned support from BBC Radio 6, Pitchfork London, RTÉ and more. Their upcoming EP Cursed Frame (Jan 2026) channels J-horror aesthetics, digital hauntings and the residue of memory into a world of abstract visuals and head-crushing rhythm.

After standout shows with Fat Dog, Baths, Kassie Krut, SCALER, Pitchfork Festival London, Another Country $$$$ now step into their own with a UK headline tour and their most fully realised work yet.

“The duo stand out against the cultural landscape of our time” - Metal Magazine

“the duo have been stirring up intrigue with their high-energy, shapeshifting hopecore beats” - Hard of Hearing Magazine

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Somehow, 2024 saw the 30th anniversary of the birth of Glasgow, Scotland’s Disco/Punk legends bis. 2025 sees them move in their fourth decade of a rollercoaster existence. A whirlwind first 18 months saw them go from playing to a handful of curious future fans in Glasgow basements to peak-time TV stardom on Top of the Pops and filling huge tents at festivals across Europe all while still teenagers. While the UK media was in equal parts enamoured and horrified by the unorthodox musical DNA of the band, their knack for a nagging melody, unrelenting energy and wide-eyed politics saw them hit big in Japan, nearly breakthrough in America where they had label support from the Beastie Boys and touring with a diverse range of acts reflecting the disparate range of influences the band had – Foo Fighters, The Cardigans, Bikini Kill and Pavement to name but a few. Whilst perhaps best known for early Riot-Grrrl influenced hit ‘Kandy Pop’ or the later slick Techno-Pop of ‘Eurodisco’, the band are also known worldwide as creators of the original theme to ‘The Powerpuff Girls’ cartoon and for the appearance of ‘Statement of Intent’ on the soundtrack to the ‘Jet Set Future’ videogame.

After 3 albums and countless singles, the band temporarily called it a day in 2003, frustrated by record label struggles. They would reunite occasionally (an Islington Academy sellout in 2007 and a triumphant Primavera in 2012 amongst others) but returned with renewed vigour in 2019 with the ‘Slight Disconnects’ album and again in 2022 with the Rave-influenced ‘Systems Music For Home Defence’.

As part of the 30 year anniversary celebrations, the band performed a stand-out sell-out show at Glasgow’s iconic St Luke’s which gathered fans from around the globe as well as respect contemporaries like Mogwai and Franz Ferdinand. With their reputation as a must-see live band gathering pace even now, upcoming shows in 2025 will provide a real treat for hardcore fans and newcomers alike.”

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Funke and the Two Tone Baby is a truly unique artiste. Designing music on a machine of his own creation whilst playing a genre and sound that is totally his own. Jammed between off-kilter garage beats with a flash of hip-hop, and high energy alternative blues with a dose of funk, is a whirling blur of glitches, big drops and jump up choruses. It's Fatboy Slim meets The White Stripes via LCD Soundsystem and a smattering of IDLES to boot. No one is making music in this way or in this style, and those who know, know, and those who don't are surely missing out.

In February 2027, Funke returns with his 5th studio album 'Greebling'. 'Greebling' is the process of adding detail to increase the appearance of complexity and this new iteration of Funke promises to be more detailed and more complex than ever before. With the new album featuring guest appearances from Beans on Toast and Samantics, and once again produced by Dutty Moonshine Big Band's production genius, 'Binge', Funke's 5th LP stands head and shoulders above anything he has done so far on his long and dedicated music career.

The new record contains all the elements of blues, electronica and ferocity that Funke's been evolving for the last 15 years, but distils it further down with tighter production, a fuller embrace of dance music culture and an ever-growing arsenal of instruments and repertoire. Trading an acoustic guitar for an electric, this new direction cuts through a pulsating desk of synths, drum machines, harmonicas and boundless energy, to create a wall of sound you can't believe one man can make.

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Please Please You & Brudenell Presents...

Forged from a fireless market town with Tolkien-esque hills and Lowry style mills, British Birds straddle the landscape of Northern life through their colourful garage rock song, like a dawn chorus in an apocalyptic smog.

Stories of personal experience and ‘the everyday’ flow through their songs like the nearby canal networks. Hues of psychedelia tint their music like the confusion of modern day life, with a sombering melancholy seeping from its pores like a quintessential Northern drizzle, and their pop heartbeat thumping on like the industrial hammers.

Lead vocals are delivered by siblings Bobby (guitar) and Emma (synth and percussion). The 5-piece is complete by Mike Ainsley (drums and guitar), James Robinson (bass) and Dom Lawson (drums).

Operating from their HQ-cum-nest in Chorley, the band have established a reputation as one of the most exciting live acts in the UK. Mad-cowbell infused They have toured with BC Camplight, The Lovely Eggs and The Bug Club and have self-released two albums and an EP; In Search Of Mr Rykyn (February 2024), Sucking Funny EP (August 2024) and Silence Daedalus (June 2025).

Their first album for Skep Wax Records, Murmurate, Oscillate, will be released on 16th October 2026.

The release will be celebrated with launch gigs at Bootleg Social, Blackpool (24th October) and in London, at Rough Trade West, London (17th October), where a special limited edition of Murmurate, Oscillate will be available. British Birds will embark on a headline tour of the UK in February 2027.

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Glasswerk Presents…

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Please Please You & Brudenell Presents...

The realest-deal storyteller in indie-rock today is the Tampa-born, New Orleans-based singer/songwriter Thomas Dollbaum, and Birds of Paradise is his most powerful and dynamic work yet. Following up his critically acclaimed Wellswood (Big Legal Mess, 2022) and Drive All Night EP (Dear Life Records, 2025), Birds of Paradise is a goodbye letter to lost loved ones and former selves. These songs find Dollbaum searching for acceptance in the transient in-between places: Florida’s pine flatwoods, backroads leading to 1-95, where birds fly across the water. And even though the ghosts of his alt-county predecessors Townes and Molina are definitely present, on Birds of Paradise, Dollbaum emerges from their shadows–waving to the past, sounding all the more like himself.

This moment–this album–is long overdue. Both of Dollbaum’s previous releases had taken way too long to record, due to circumstances out of his control, leaving him frustrated. And after having been away from his home for eight years, the place he had left was no longer the place he remembered, and the unchanging of the natural world felt like a constant he wanted to write about. With a sense of immediacy, he wrote Birds of Paradise in three months. Called up the musicians he trusted and admired the most–Nick Corson, Josh Halper, and Jake Lenderman–and asked them to meet him at Dial Back Sound in Water Valley, Mississippi with producer/engineer Clay Jones. They learned and tracked the album in four days, capturing lightning in a bottle, a sonic revelation Dollbaum’s writing has always been waiting for.

“Big Boi” recounts the time high school-aged Thomas got roped into giving a couple (outside the Waffle House) a ride to pick up drugs at a pill mill. At a time in indie-rock when many singer-songwriters like to proclaim they’re Southern, Dollbaum knows it’s more complicated than that. “One day I'll take you down to a place that you can never get out/ Couple splinters in the wall, nothing to brag about,” he sings steady and direct after realizing the mess he’s in. It brings to mind the short story “Samaritans” by Larry Brown, where the narrator is tormented for having a helping heart. Like Brown, Dollbaum miraculously examines entrapment with generosity.

“Pulverize,” the album’s hardest and darkest rocker, is sorta like another short story, “Time and Again,” by Breece D’J Pancake. Both song and story are told from the point of view of a man plowing down the road, picking up strangers, trying to forget real awful things they can’t mention. Dollbaum was inspired by the time he tried to drive across Louisiana overnight but then, halfway, decided to turn around. In “Pulverize,” Dollbaum’s narrator is too afraid to look back. “You should have seen me/ out of Texas in the high moon/ Playing with God riding across the border cooped up/ in a hoopty to the promised land,” he struts. Lenderman harmonizes with Dollbaum on the chorus, “Pulverize this heart.” Dollbaum sings the next line alone, slinging his voice the highest it’ll be the whole album: “I don’t even need it.” And by the end of the song, he’s screaming with an intensity we’ve never heard before: “It’s fine, it’s fine, it’s FINE.”

But it ain’t just grown men trying to move on in Birds of Paradise. “King’s Landing” playfully frolics from the point of view of little-kid Dollbaum growing up near a little private airport. And he’s got big dreams of flying him and his folks outta there. “I wish I could take us from this town,” he sings. But knowing this dream is “probably a waste of time,” he suggests going home and watching “Judge Joe Brown/ And reruns of Cops episodes in our home town.” “I hope we catch one where the bad guy gets away,” Dollbaum offers some optimism, “Maybe he’ll steal a small plane/ Fly off to the everglades/ Build us a home out of water and snakes.” When there’s nothing else, survival and imagination are the same thing.

With the help of Lenderman, Halper, Corson, and Jones, Birds of Paradise is Dollbaum’s hard-won breakthrough. Alive and echoing like the poems and short stories you can’t shake: coyotes howl, birds fly south, kids chase rabbits through the sugar cane, and cigarettes are four dollars a pack. Birds of Paradise reminds us where we come from–the things inside ourselves we’ve forgotten–we just needed Dollbaum to show us. Here’s how to look back without fear or shame. Here’s authenticity.

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Brudenell Presents...
Following her acclaimed self-titled debut album, championed by the likes of Uncut, Clash, Shindig, Record Collector, BBC Radio 6 and Radio X, Toria Wooff (Tor-ee-a Woo-f) enters a darker and more assured chapter with her second album, Aleister. Across eleven brooding folk songs, tape-saturated textures, drones, vintage keyboards, orchestral flourishes and richly detailed acoustic instrumentation surround a voice capable of moving from hushed intimacy to startling intensity.

On stage, that atmosphere takes on a life of its own. Whether playing solo or joined by her close-knit band, Wooff’s live show expands the strange, shadowy world of her records without losing the restraint at the heart of the songs. Fingerpicked acoustic guitar, spectral keys, textured strings and understated ensemble playing gather around Wooff’s commanding vocal, allowing moments of near silence to sit alongside passages of sweeping, darkly cinematic intensity.

The result is a performance that owes as much to the peculiar atmosphere of late-sixties and seventies British and Irish folk recordings as it does to contemporary songwriting. Folk tradition collides with gothic literature, northern landscapes brush against the occult. Deeply personal experiences sit comfortably beside ancient mythology, Wooff’s stories feeling both intimate but also timeless.

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Rachel Croft heads to Leeds with an intimate solo performance of her original songs and unreleased tracks, as part of her UK and Europe wide tour in 2027.

Rachel Croft is an internationally recognised musician and multidisciplinary artist, with works featured on Netflix and BBC Two, and support from Gibson.
Known for her exceptional vocals, creative force, and electrifying stage presence, Rachel has performed from Europe to Central America, been honoured as Caffè Nero's Artist of the Month, and released music from Abbey Road Studios.

"Such a great classic artist in every sense" — Dave Stewart, The Eurythmics
"Truly exceptional" — Jericho Keys, BBC Introducing
"An emotive and uncompromising alternative artist, unapologetic and at the top of her game" — Atwood Magazine

www.rachelcroftmusic.com

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Futuresound Events Presents…

Hope of the States formed in Chichester in 2000, bringing strings, noise and post-rock ambition to an indie scene crowded with Strokes wannabes and Libertines impersonators. Their debut album, *The Lost Riots*, arrived in 2004 to a 9/10 review from *NME* amongst other fevered acclaim. After a second album, the lean and powerful *Left*, the band split in 2006. That seemed to be that.

In 2024, they got back together to mark 20 years of *The Lost Riots* and find out whether it still felt right to play together. Their first new music, the sprawling ‘Long Waits in A&E’, picked up the scale and emotion of the old records without sounding trapped by them. December’s reunion shows sold out within a day. Venue upgrades and additional shows followed.

In 2025 came another successful run of shows and the singles ‘Footage/Steamtrain’ and ‘Billboard Mountain’. On stage, the band sounded bigger, more triumphant and louder than ever.

What began as an anniversary reunion has turned into something none of them expected: another chapter, this one fulfilling the promise they showed when they first appeared way back in 2004.

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Please Please You & Brudenell Presents...

Meeting at the intersection of the loner-folk, cosmic country and kraut-laden choogle, from Doggone’s opening pulse of rhythms to its closing cascade of synths, listeners encounter a musician fully rooted in the creative community around him and firmly held by the life he’s built over the last decade.

Where his past several releases saw the New Jersey native settling into life in the Pacific Northwest – observing, appreciating, getting the lay of the land – and finding his footing in the alt-Americana sphere into which he unexpectedly fell, with Doggone, he’s immovable, intentional, and most of all, at peace.

Committed to nurturing his local circle, he called upon a faithful group of Portland-based collaborators, a rolodex of heroes-turned-friends, like producer-composer Ryan Oxford (Y La Bamba, Rose City Band), bassist Alex Chapman, and drummer Dana Buoy (Akron/Family). Together they gathered at the Center for Sound, Light and Color Therapy to record Doggone, which was then mastered by Amy Dragon (Big Thief, Nathaniel Rateliff and Moon Duo).

He also left plenty of room for others to be welcomed into the fold, with freak folk hero Devendra Banhart offering guest vocals on the album’s lead single, ‘Out of Tune’, which is out today. Built around a mellow country groove and dreamy cosmic pedal steel, it’s a sweet and chilled out indie love song about being in sync with your person, moving through the universe as one while still upholding your individuality.

Call it comfort, call it kismet – what resulted with Doggone was nine tracks backlighting life, love, and purpose, like doggone wonders held up to the light. The album explores themes of community, aging, carving out your own version of success, planting seeds and growing roots, and the impact of place on creative work.

Jeffrey’s latest album exists in a world between worlds. One is a nether region of cinematic eyelid movies, definitely set somewhere out west in the nighttime. The other is earthbound and rooted and in daylight and swings with the best of my guys - JJ and Jerry and Dr. John and all the best ones. This is a world I wanna live in… this record is right in my wheelhouse.”
- Eric D. Johnson (Fruit Bats)

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21st-century mod Cian Downing and his backing band will hit the road again in 2027 to promote the release of Cian's second album, No Place to be Young. Cian's blend of Paul Weller and Billy Bragg-esque songwriting with the rhythms of 2Tone and 20th-century soul will be on show, as Cian and his band play the new album from start to finish, plus a number of class tracks from his debut album, The Grassroots to the Sky, and earlier releases. Cian is a DIY artist with no management, booking agent or record label, and is putting on this tour entirely by himself, so remember, every single ticket purchase goes back to the musicians performing on the night.

Support comes from the fantastic Scarlett Fever, a young mod revival 4-piece from Crewe, Cheshire, who will bring plenty of energy and attitude, and certainly get the crowd going.

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The Len Price 3 roll into town in support of their latest record, Misty Medway Magick, bringing their usual brand of high octane, high intensity and high volume melodic soundcraft. The Lennies will perform numbers from the new album and the LP3 archives.

Never heard them before? Think prime 60's era Who, Kinks and Beatles, all revved up with a bit 77 Punk in the form of the Ramones, Undertones and the Clash. Mani from the Stone Roses said; "The LP3 make Oasis sound like Kajagoogoo." David Fricke, Rolling Stone Editor in Chief said "Rock n'roll doesn't need saving. The cure's right here."

Support provided by the band's long term travelling companions and good friends, the Humdrum Express. Come and dig it.

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Hannah Grace is an award winning Welsh singer-songwriter with a voice that can seemingly sing anything. With over 65 million streams to date her music and timeless voice has captured an ever-growing loyal audience. Her music uniquely blends the sounds of soul, jazz, folk and pop and her lyrics reflect on self love and being present.
Taking inspiration from Eva Cassidy, Norah Jones, Coldplay and Kacey Musgraves her live set is full of optimism, hope and a magic you can only get from a truly unmissable live show.
This is Hannah’s biggest headline tour to date across the UK & Ireland, playing in beautifully intimate and unique spaces.

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Genre-blurring collective The Parachute Testers introduce a deeply atmospheric sound with the release of their forthcoming debut album, Halfway to Everywhere on October 30th 2026 and a return to HPBC as part of their UK tour in April 2027 after a sell out show in the snug in September.

Blending grounded, earthy folk with ambient and indie textures, the band create music that feels both intimate and expansive. 

Their sound is defined by soaring, emotive female vocals layered over a rich interplay of acoustic instrumentation and subtle electronics. Warm guitar lines weave beneath shimmering synths, while contributions from Colm Mac Con Iomaire (The Frames / Swell Season) add cinematic depth through expressive string arrangements.

Formed by musicians from Wexford and Leeds the group brings together diverse influences into a cohesive and transportive sonic identity. Their music draws on the emotion and spaciousness of modern indie and dream-folk, while maintaining a strong melodic core and organic sensibility.

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Live Nation Presents…